List of Compositions
- Lazy Lion
- The Pogo Stick
- The Tightrope Walker
- Elegant Alionus
- Sassy Seal
- Wonky Woodpecker
- Sino-Starlings
- Wonky Warbler
- Chuckling Chicken
- Sleepy Bear
- Run, Rover, Run!
- Jumbo's Lullaby
- Dreamy Dragon
- The Oranga-Thumb
- Cockatoo Carol
- Skating Sloth
- Squirming Worm
- Quiet Crocodile
- Yawning Alligator
- The Thumb Troll Tromp
- Lipizzaner Leaping
- Floating Flamingo
- Waltzing Wally Walrus
- Abominable Ape
- Teetering Toucan
- Teetering Trill
- Amorphous Amoeba
- Be My Valentine
- Happy Birthday
- Church Bell Changes
- The Bonging Bells of Big Ben
- Termite Temerity
- Stepping Stork
- Singing Stork
- Strolling Stork
- Sauntering Sandpiper
- Snapping Scale
- Stretching Spider
- Barmy Bunnies
- Slinky Snail
- Rotating Rattlesnake
- Kangaroo Chords
- Gyrating Jarret Waltz
- Forte Flying Fox
- Baby Flamingo
- Grownup Flamingo
- Mozart Monkey Business
- Playful Possums
- The Jackdaw Jackhammer
- Fox Fandango
- Swinging Song
- Time to Go
- "Five-Finger Overholding Exercise
- Farewell – Closing Recital
LEARN THE PIANIMALS PIECES BY WATCHING PERFORMANCES.
This page will feature video performances of all the Pianimals' compositions, once we actually create the recordings. Until then, try to create your own performances, and feel free to add variations as they occur to you!
VOLUME 1
SECTION I - Lying Down
LAZY LION
Lazy Lion
The hand and arm float downward, yet somehow the finger manages to play using its flat underside.
THE POGO STICK
The Pogo Stick
Make your finger as stiff as a Pogo Stick and use it to bounce straight up and down on the keys.
THE TIGHTROPE WALKER
The Tightrope Walker
Dangle a completely limp finger from a relaxed arm and lower it till the fingertip brushes the key top.
ELEGANT ALIONUS
Elegant Alionus
Move your flexible arm lazily up and down in a wavy motion. On the descent, let the finger catch the key as if by chance.
SASSY SEAL
Sassy Seal
Glue all the fingers together to make your hand into a seal flipper. Lay the heel of the hand on the white keys and flop the flipper side to side to play the black keys. Keep the elbow loose.
WONKY WOODPECKER
Wonky Woodpecker
Lay the heel of your hand on the white keys. Bunch your fingers together to form a bird beak. Keep the beak tight as you peck the black keys rat-a-tat. Leave the elbow loose.
SINO-STARLINGS
Sino-Starlings
.Lay the heel of your hand on the white keys. This time leave the fingers loose as they peck the black keys rat-a-tat-a-tat. Keep the elbow loose.
WONKY WARBLER
Wonky Warbler
Lay the heel of the hand on the white keys and lightly tap the black keys. Remember the feeling of the bird beak without actually making it. Leave the elbow loose.
WONKY WARBLER - EXTENDED
Wonky Warbler – Extended
Proposed commentary on the video.
CHUCKLING CHICKEN
Chuckling Chicken
Lay the heel of the hand on the white keys, and peck a black key by flexing the finger vigorously, curling the tip tightly into the palm. Keep the elbow loose.
SLEEPY BEAR
Sleepy Bear
Lay your hand palm down, heel on the white keys, fingers on the black keys, and roll to the inside to flop your bear paw fingers onto some other black keys.
RUN, ROVER, RUN!
Run, Rover, Run!
Play this piece by laying your thumb on the white keys and playing the black keys by twitching your fingers the way a dreaming dog's legs twitch.
RUN, ROVER, RUN! - EXTENDED
Run, Rover, Run! – Extended
Play this piece by laying your thumb on the white keys and playing the black keys by twitching your fingers the way a dreaming dog's legs twitch.
JUMBO'S LULLABY
Jumbo's Lullaby
Lay your hand on the white keys. To play the notes, roll it even farther left and right than Sleepy Bear did. Jumbo can roll right over on his back!
DREAMY DRAGON
Dreamy Dragon
Lay the heel of your hand here and there on the white keys to help your fingers reach the black keys more easily. Curl your fingers or leave them straight, however you like, whichever feels most comfortable.
SECTION II - The Thumb
THE ORANGA-THUMB
The Oranga-Thumb
Make a fist and stick your thumb out as straight as a screwdriver shaft. Turn your hand over and poke the key vertically with that screwdriver thumb.
COCKATOO CAROL
Cockatoo Carol
Bunch your fingers into a bird beak. Slide the beak back and forth on the key to sound the note.
SKATING SLOTH
Skating Sloth
Slide the birdbeak fingers back and forth on the keys like a skater skating on the rink.
SQUIRMING WORM
Squirming Worm
Lay the entire underside of your finger in a white key, and slither it up the side of the black key like a worm, always maintaining complete contact between the underside of the finger and the key.
QUIET CROCODILE
Quiet Crocodile
Lay the entire thumb in a white key and the entire second finger in the adjacent black key. Keep them snug like the thin snout of a crocodile. Play the notes without opening the crocodile's snout at all, as if he were a ventriloquist.
YAWNING ALLIGATOR
Yawning Alligator
Lay the entire thumb in a white key and clamp the straight second finger's pad to the thumb pad, making a triangle. A crocodile's jaw is thin but an alligator's is fat. Raise the straight second finger sky high to make the alligator yawn.
THE THUMB TROLL TROMP
The Thumb Troll Tromp
Make the thumb straighter than straight. Turn the thumbnail towards you and poke the keys with it. Then stay standing on a key and raise the fingers sky high.
LIPIZZANER LEAPING
Lipizzaner Leaping
Stand the straight thumb on the key and "paw" the air with the fingers. The thumb is the horse's hind legs, the fingers the front legs. Let the thumb feel springy, but don't collapse it even when the fingers play notes that are far away.
SECTION III - Standing Up
FLOATING FLAMINGO
Floating Flamingo
Move your flexible arm lazily up and down in a wavy motion. On the ascent, let the finger catch the key as if by chance. Do this slowwwwwly.
WALTZING WALLY WALRUS
Waltzing Wally Walrus
Stand the hand up on the backs of the proximal phalanges. Walk around the keys as if your arms are two stilts.
ABOMINABLE APE
Abominable Ape
Stand the hand up on the backs of the proximal phalanges on a group of keys. Use these "hand stilts" to create a crescendo in one place of eight dynamic levels - and then decrescendo again.
TEETERING TOUCAN
Teetering Toucan
Glue the four flat fingers together and stand on the tip of the third finger. Teeter from side to side to play the adjacent notes.
TEETERING TRILL
Teetering Trill
Glue the four flat fingers together and stand on the tip of the third finger. Teeter from side to side Faster and faster to increase the speed of the trill. Eventually let the fingers unglue.
AMORPHOUS AMOEBA
Amorphous Amoeba
Destructurize the hand completely. Dangle the fingers above the keyboard and lower them until their structure gently collapses to sink deep in the keys.
BE MY VALENTINE
Be My Valentine
Play this piece with completely flat fingers, as if each finger only had one bone. Keep the wrist medium low.
HAPPY BIRTHDAY
Happy Birthday
Make a fist, and stick the thumb out straight. Turn the hand over and bong the piano keys with your thumbs to sound the notes like bells. Use lots of pedal to make the bells really clang.
CHURCH BELL CHANGES
Church Bell Changes
Bunch the hand into a solid bell clapper and bounce The thumb tip or fingertip off the key. Don't do this heavily; don't hurt the piano! Make a light but strong bouncing action.
THE BONGING BELLS OF BIG BEN
The Bonging Bells of Big Ben
Make the fist into a bonging bell clapper. Raise the arms really high in between each note as you alternate the hands.
VOLUME 2
SECTION IV - From Walking to Running
TERMITE TEMERITY
Termite Temerity
Grab the key edge between thumb tip and fingertip to wiggle the keys and sound this composition.
STEPPING STORK
Stepping Stork
Stand the hand on your thumb, and raise your fifth finger sky high before swinging it down to play the melody notes. Alternately stand on the straight fifth finger, and lift the thumb up high before swinging it down to play the melody notes.
SINGING STORK
Singing Stork
Stand the hand on your thumb, and raise your fifth finger sky high before swinging it down to play the melody notes. Alternately stand on the straight fifth finger, and lift the thumb up high before swinging it down to play the melody notes.
STROLLING STORK
Strolling Stork
Stand on the thumb; raise the fifth, and swing it down to stand on its note. Now raise the thumb, and swing it down to stand on its note. Continue to alternate.
SAUNTERING SANDPIPER
Sauntering Sandpiper
Make a completely firm arch shape between the thumb and the fifth finger. Rock back and forth between them to play this melody. Keep the hand totally solid.
SNAPPING SCALE
Snapping Scale
Play a two-note group as quickly as possible and snap the thumb pad to the finger pad to stand on the last note of the group. Do the same for the three-note and four-note groups. Make sure the sound is as crisp as is absolutely possible.
STRETCHING SPIDER
Stretching Spider
Stand on the thumb, and as you stretch your finger out to a note far away, do not let the arch collapse.
SECTION V - From Running to Rotating
BARMY BUNNIES
Barmy Bunnies
Whip the arm up so quickly, as you play this lightning-fast group of notes, that it seems like the fingers have hardly any work to do. Notice that the sound is incredibly even as well as being incredibly fast.
SLINKY SNAIL
Slinky Snail
This is the reverse of Amorphous Amoeba. Begin with the hand arch collapsed, and inflate it to play the arpeggiando chord.
ROTATING RATTLESNAKE
Rotating Rattlesnake
Stand on the thumb and lift the fifth finger high in the air. Wiggle it before you swing it down to play its note. Then do the same in reverse. Stand on the 5th, lift the thumb high, wiggle it, then swing it down to play.
SECTION VI - Hopping & Leaping
KANGAROO CHORDS
Kangaroo Chords
Exercise by collapsing The hand arch, then growing it to full height while staying in the notes of the chord . Finally grow it so quickly that the hand leaps up into the air.
GYRATING JARRETT WALTZ
Gyrating Jarret Waltz
Stand the finger up suddenly on each note you play, without hopping off the key.
FORTE FLYING FOX
Forte Flying Fox
Stand the hand up on the notes marked ⋀, and leap up on the notes marked >. Never round the wrist: keep it level or flip the hand back instead.
BABY FLAMINGO
Baby Flamingo
Stand the thumb and fifth on a medium-wide interval, and wiggle the middle of the hand to play the middle notes. Rotate the hand in a pronation-supination movement.
GROWNUP FLAMINGO
Grownup Flamingo
Play a rather large interval with your thumb and fifth, then rotate your forearm to wiggle your hand, supinating it and pronating it. Make it ropey without letting it collapse completely.
MOZART MONKEY BUSINESS
Mozart Monkey Business
Play this piece with your fingers pretty straight. Dance the hand on the keys, keeping the wrist neutral - not too high, not too low.
SECTION VII - Return to the Fingertip
PLAYFUL POSSUMS
Playful Possums
Curl the fingertip and hang the entire hand lower than the keys, like an opossum. Almost touch your elbow to the floor!
THE JACKDAW JACKHAMMER
The Jackdaw Jackhammer
Lay the entire forearm sideways on the keys and play this piece by curling the fingertip a little more or a little less.
SECTION VIII - The Whole Body
FOX FANDANGO
Fox Fandango
Rock the pelvis forward and back to slide the fingers forward and back on the keys in the rhythm of this fandango. First move pelvis and hands in the same direction; later on move them in opposite directions.
SWINGING SONG
Swinging Song
Rock your pelvis side to side, bending your body the other way. Move the hands with the pelvis to play the notes, but move the head with the body to maintain balance.
TIME TO GO
Time to Go
Make each finger into a pogo stick as it plays its note to bounce on the key and make the piano sing with real gusto.
FIVE-FINGER OVERHOLDING EXERCISE
Five-Finger Overholding Exercise
Hold each successive key down until all of the notes are held down. Begin with a low-lying thumb and then grow the hand shape through the four finger notes.
CONTACT
ABOUT US - CONTACT
ALAN FRASER
Canadian pianist Alan Fraser gives master classes and recitals worldwide and conducts ongoing research and refinement on the ideas put forth in his books:
- The Craft of Piano Playing (also in DVD),
- Honing the Pianistic Self-Image
- All Thumbs: Well-Coordinated Piano Technique
- Pianimals: 28 Feldenkrais Lessons for the Beginning Pianist's Hand
- Skeletal Wisdom: Mind & Body Reunited in the Feldenkrais Method
- Play the Piano with Your Whole Self
Alan Fraser
List of Compositions
LEARN THE PIANIMALS PIECES BY WATCHING PERFORMANCES.
This page will feature video performances of all the Pianimals' compositions, once we actually create the recordings. Until then, try to create your own performances, and feel free to add variations as they occur to you!
VOLUME 1
SECTION I - Lying Down
LAZY LION
<iframe
width="700"
height="425"
src="https://www.youtube.com/embed/YOUR_VIDEO_ID"
frameborder="0"
allowfullscreen>
</iframe>
The hand and arm float downward, yet somehow the finger manages to play using its flat underside.
THE POGO STICK
The Pogo Stick
Make your finger as stiff as a Pogo Stick and use it to bounce straight up and down on the keys.
THE TIGHTROPE WALKER
The Tightrope Walker
Dangle a completely limp finger from a relaxed arm and lower it till the fingertip brushes the key top.
ELEGANT ALIONUS
Elegant Alionus
Move your flexible arm lazily up and down in a wavy motion. On the descent, let the finger catch the key as if by chance.
SASSY SEAL
Sassy Seal
Glue all the fingers together to make your hand into a seal flipper. Lay the heel of the hand on the white keys and flop the flipper side to side to play the black keys. Keep the elbow loose.
WONKY WOODPECKER
Wonky Woodpecker
Lay the heel of your hand on the white keys. Bunch your fingers together to form a bird beak. Keep the beak tight as you peck the black keys rat-a-tat. Leave the elbow loose.
SINO-STARLINGS
Sino-Starlings
Lay the heel of your hand on the white keys. This time leave the fingers loose as they peck the black keys rat-a-tat-a-tat. Keep the elbow loose.
.
WONKY WARBLER
Wonky Warbler
Lay the heel of the hand on the white keys and lightly tap the black keys. Remember the feeling of the bird beak without actually making it. Leave the elbow loose.
WONKY WARBLER - EXTENDED
Wonky Warbler – Extended
Proposed commentary on the video.
CHUCKLING CHICKEN
Chuckling Chicken
Lay the heel of the hand on the white keys, and peck a black key by flexing the finger vigorously, curling the tip tightly into the palm. Keep the elbow loose.
SLEEPY BEAR
Sleepy Bear
Lay your hand palm down, heel on the white keys, fingers on the black keys, and roll to the inside to flop your bear paw fingers onto some other black keys.
RUN, ROVER, RUN!
Run, Rover, Run!
Play this piece by laying your thumb on the white keys and playing the black keys by twitching your fingers the way a dreaming dog's legs twitch.
RUN, ROVER, RUN! - EXTENDED
Run, Rover, Run! – Extended
Play this piece by laying your thumb on the white keys and playing the black keys by twitching your fingers the way a dreaming dog's legs twitch.
JUMBO'S LULLABY
Jumbo's Lullaby
Lay your hand on the white keys. To play the notes, roll it even farther left and right than Sleepy Bear did. Jumbo can roll right over on his back!
DREAMY DRAGON
Dreamy Dragon
Lay the heel of your hand here and there on the white keys to help your fingers reach the black keys more easily. Curl your fingers or leave them straight, however you like, whichever feels most comfortable.
SECTION II - The Thumb
THE ORANGA-THUMB
The Oranga-Thumb
Make a fist and stick your thumb out as straight as a screwdriver shaft. Turn your hand over and poke the key vertically with that screwdriver thumb.
COCKATOO CAROL
Cockatoo Carol
Bunch your fingers into a bird beak. Slide the beak back and forth on the key to sound the note.
SKATING SLOTH
Skating Sloth
Slide the birdbeak fingers back and forth on the keys like a skater skating on the rink.
SQUIRMING WORM
Squirming Worm
Lay the entire underside of your finger in a white key, and slither it up the side of the black key like a worm, always maintaining complete contact between the underside of the finger and the key.
QUIET CROCODILE
Quiet Crocodile
Lay the entire thumb in a white key and the entire second finger in the adjacent black key. Keep them snug like the thin snout of a crocodile. Play the notes without opening the crocodile's snout at all, as if he were a ventriloquist.
YAWNING ALLIGATOR
Yawning Alligator
Lay the entire thumb in a white key and clamp the straight second finger's pad to the thumb pad, making a triangle. A crocodile's jaw is thin but an alligator's is fat. Raise the straight second finger sky high to make the alligator yawn.
THE THUMB TROLL TROMP
The Thumb Troll Tromp
Make the thumb straighter than straight. Turn the thumbnail towards you and poke the keys with it. Then stay standing on a key and raise the fingers sky high.
LIPIZZANER LEAPING
Lipizzaner Leaping
Stand the straight thumb on the key and "paw" the air with the fingers. The thumb is the horse's hind legs, the fingers the front legs. Let the thumb feel springy, but don't collapse it even when the fingers play notes that are far away.
SECTION III - Standing Up
FLOATING FLAMINGO
Floating Flamingo
Move your flexible arm lazily up and down in a wavy motion. On the ascent, let the finger catch the key as if by chance. Do this slowwwwwly.
WALTZING WALLY WALRUS
Waltzing Wally Walrus
Stand the hand up on the backs of the proximal phalanges. Walk around the keys as if your arms are two stilts.
ABOMINABLE APE
Abominable Ape
Stand the hand up on the backs of the proximal phalanges on a group of keys. Use these "hand stilts" to create a crescendo in one place of eight dynamic levels - and then decrescendo again.
TEETERING TOUCAN
Teetering Toucan
Glue the four flat fingers together and stand on the tip of the third finger. Teeter from side to side to play the adjacent notes.
TEETERING TRILL
Teetering Trill
Glue the four flat fingers together and stand on the tip of the third finger. Teeter from side to side Faster and faster to increase the speed of the trill. Eventually let the fingers unglue.
AMORPHOUS AMOEBA
Amorphous Amoeba
Destructurize the hand completely. Dangle the fingers above the keyboard and lower them until their structure gently collapses to sink deep in the keys.
BE MY VALENTINE
Be My Valentine
Play this piece with completely flat fingers, as if each finger only had one bone. Keep the wrist medium low.
HAPPY BIRTHDAY
Happy Birthday
Make a fist, and stick the thumb out straight. Turn the hand over and bong the piano keys with your thumbs to sound the notes like bells. Use lots of pedal to make the bells really clang.
CHURCH BELL CHANGES
Church Bell Changes
Bunch the hand into a solid bell clapper and bounce The thumb tip or fingertip off the key. Don't do this heavily; don't hurt the piano! Make a light but strong bouncing action.
THE BONGING BELLS OF BIG BEN
The Bonging Bells of Big Ben
Make the fist into a bonging bell clapper. Raise the arms really high in between each note as you alternate the hands.
VOLUME 2
SECTION IV - From Walking to Running
TERMITE TEMERITY
Termite Temerity
Grab the key edge between thumb tip and fingertip to wiggle the keys and sound this composition.
STEPPING STORK
Stepping Stork
Stand the hand on your thumb, and raise your fifth finger sky high before swinging it down to play the melody notes. Alternately stand on the straight fifth finger, and lift the thumb up high before swinging it down to play the melody notes.
SINGING STORK
Singing Stork
Stand the hand on your thumb, and raise your fifth finger sky high before swinging it down to play the melody notes. Alternately stand on the straight fifth finger, and lift the thumb up high before swinging it down to play the melody notes.
STROLLING STORK
Strolling Stork
Stand on the thumb; raise the fifth, and swing it down to stand on its note. Now raise the thumb, and swing it down to stand on its note. Continue to alternate.
SAUNTERING SANDPIPER
Sauntering Sandpiper
Make a completely firm arch shape between the thumb and the fifth finger. Rock back and forth between them to play this melody. Keep the hand totally solid.
SNAPPING SCALE
Snapping Scale
Play a two-note group as quickly as possible and snap the thumb pad to the finger pad to stand on the last note of the group. Do the same for the three-note and four-note groups. Make sure the sound is as crisp as is absolutely possible.
STRETCHING SPIDER
Stretching Spider
Stand on the thumb, and as you stretch your finger out to a note far away, do not let the arch collapse.
SECTION V - From Running to Rotating
BARMY BUNNIES
Barmy Bunnies
Whip the arm up so quickly, as you play this lightning-fast group of notes, that it seems like the fingers have hardly any work to do. Notice that the sound is incredibly even as well as being incredibly fast.
SLINKY SNAIL
Slinky Snail
This is the reverse of Amorphous Amoeba. Begin with the hand arch collapsed, and inflate it to play the arpeggiando chord.
ROTATING RATTLESNAKE
Rotating Rattlesnake
Stand on the thumb and lift the fifth finger high in the air. Wiggle it before you swing it down to play its note. Then do the same in reverse. Stand on the 5th, lift the thumb high, wiggle it, then swing it down to play.
SECTION VI - Hopping & Leaping
KANGAROO CHORDS
Kangaroo Chords
Exercise by collapsing The hand arch, then growing it to full height while staying in the notes of the chord . Finally grow it so quickly that the hand leaps up into the air.
GYRATING JARRETT WALTZ
Gyrating Jarret Waltz
Stand the finger up suddenly on each note you play, without hopping off the key.
FORTE FLYING FOX
Forte Flying Fox
Stand the hand up on the notes marked ⋀, and leap up on the notes marked >. Never round the wrist: keep it level or flip the hand back instead.
BABY FLAMINGO
Baby Flamingo
Stand the thumb and fifth on a medium-wide interval, and wiggle the middle of the hand to play the middle notes. Rotate the hand in a pronation-supination movement.
GROWNUP FLAMINGO
Grownup Flamingo
Play a rather large interval with your thumb and fifth, then rotate your forearm to wiggle your hand, supinating it and pronating it. Make it ropey without letting it collapse completely.
MOZART MONKEY BUSINESS
Mozart Monkey Business
Play this piece with your fingers pretty straight. Dance the hand on the keys, keeping the wrist neutral - not too high, not too low.
SECTION VII - Return to the Fingertip
PLAYFUL POSSUMS
Playful Possums
Curl the fingertip and hang the entire hand lower than the keys, like an opossum. Almost touch your elbow to the floor!
THE JACKDAW JACKHAMMER
The Jackdaw Jackhammer
Lay the entire forearm sideways on the keys and play this piece by curling the fingertip a little more or a little less.
SECTION VIII - The Whole Body
FOX FANDANGO
Fox Fandango
Rock the pelvis forward and back to slide the fingers forward and back on the keys in the rhythm of this fandango. First move pelvis and hands in the same direction; later on move them in opposite directions.
SWINGING SONG
Swinging Song
Rock your pelvis side to side, bending your body the other way. Move the hands with the pelvis to play the notes, but move the head with the body to maintain balance.
TIME TO GO
Time to Go
Make each finger into a pogo stick as it plays its note to bounce on the key and make the piano sing with real gusto.
FIVE-FINGER OVERHOLDING EXERCISE
Five-Finger Overholding Exercise
Hold each successive key down until all of the notes are held down. Begin with a low-lying thumb and then grow the hand shape through the four finger notes.