American pianist Doug Johnson is fascinated with the
phenomenon of movement in music performance. He has completed a training in Body Mapping, and has now developed his own approach
called Kinematic Integration. This was the inspiration
for Alan Fraser naming his developmental approach to the science and art of pianistic movement Piano Kinematics.
The seemingly complicated structure of Piano Kinematics stems organically from a few basic principles. First and foremost,
any physical approach to piano technique must grow out of the requirements of the music, and must feed back into those
requirements, enhancing and expanding the possibilities in pianistic expression. The flow chart below illustrates the main
foci of Piano Kinematics and their localized branches. Eventually, links to lesson or lecture excerpts will illustrate each thread.
To view the chart, click on the "Full Screen" button to the right on the bottom chart bar. Enlarge or shrink the chart
with the scroll wheel; left click and drag to move the chart around on the screen. Scroll around the entire chart at first
to get a feel for the scope and focus of Piano Kinematics; then zero in on the section that intrigues you the most. Refresh
the page to return to this text.
The flow chart is not responsive, so if you are using an iPhone or Android, please go to the
Smartphone Kinematics version of this chart.
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